One Hundred Tales (2023) by Osamu Tezuka4 min read


Capturing the timelessness of godfather of manga

“An adaptation of the Faust legend as a samurai interval piece. Ichirui Hanri is an extraordinary accountant servicing his lord. Although harmless, he’s sentenced to demise by hara-kiri after being entangled in an influence battle. A witch named Sudama seems and affords Hanri three needs in alternate for his soul. Hanri accepts. Is it value it?” (Ablaze)

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One in every of 4 titles from Manga that’s appearing as a celebration of ’s works, “” is the primary to hit print, set for a November 21, 2023 launch, and is out there digitally by way of Azuki.

Instantly putting when studying “One Hundred Tales” is Tezuka’s comedic wit, which provides an in any other case contemplative story of private redemption and endearing playfulness. Whereas there are some era-specific jokes, not one of the humor feels dated, regardless of the unique launch date of 1971. Moreover, Tezuka interjects quite a lot of parody into his work, breaking the fourth wall by together with himself in just a few panels, popular culture icons of the time (like Cristopher Lee), and even appearances by his different creations, comparable to Astro Boy. The self-aware strategy of Tezuka’s writing, which is snug with fooling around whereas staying related many years later, is a testomony to the timelessness of his work.

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The reinterpretation of traditional literature additionally helps with the manga’s continued relevancy, with themes grounded in primary human wishes and desires. Protagonist Sudama, although considerably comically over-the-top, represents a somewhat broad stroke of humanity, along with his quest for love, cash, and freedom pushing him ahead. Furthermore, Sudama has a robust sense of obligation and an admirable ethical compass, making him an honorable protagonist regardless of his usually cowardly and oafish persona. It’s straightforward to snort on the misfortunes that befall him, however the reader will in the end cheer for his redemption.

The guide’s tone can be fast-paced and full of content material as a result of narrative styling of Tezuka. Whereas there are a lot of particulars for readers to uncover, it’s noteworthy that the guide blends different historic components and genres with equal expertise. This consists of an exploration of traditional Japanese yokai, with the mischievous creatures enjoying an important function within the story’s growth. Moreover, the guide accommodates just a few motion sequences highlighting how Tezuka had mastery over all genres.

The aesthetics of manga have undoubtedly modified over the many years, and whereas the character depiction could seem easy by at the moment’s requirements–particularly contemplating Tezuka’s purposeful downplaying of his characters for comedic impact–his true expertise as an artist nonetheless shines all through. Notably, the backgrounds of historic Japan depict a land of utter magnificence in an in depth artwork model few can replicate at the moment. Panels that appear nearly rudimentary and slapdash make means for such lush landscapes that the mangaka’s stability of comedy-focused storytelling with sheer magnificence makes the work completely endearing.

All through the guide, the work has a sure heat; Tezuka comes throughout as a superb buddy who is aware of easy methods to consolation, entertain, and make merry. It’s fairly a peculiar feeling that goes past wholesomeness with such snug familiarity in how Tezuka captivates his viewers. Nonetheless, “One Hundred Nights” cements why the “godfather of manga” was such a beloved creator and affect to so many. Azuki bringing a few of these works of Tezuka to print is a service that manga followers ought to embrace with open arms.



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