Past BTS: How South Korea’s classical music scene is gaining recognition and significance on the worldwide stage2 min read

BTS, Blackpink, NewJeans and different Okay-pop bands may spring to thoughts if we speak about South Korea’s music, however the nation’s classical music scene is flourishing too, fuelled by proficient musicians and backed by media and business firms

Classical music is historically considered the forte (pun meant) of European nations, however these days fairly just a few Asian musicians have been profitable huge at worldwide awards. South Korean candidates are a few of the strongest within the sport: in 2015, Seong-Jin Cho grew to become the primary South Korean pianist to win the XVII Worldwide Chopin Piano Competitors; in 2018, Esme was the primary Korean ensemble to win first prize on the Wigmore Corridor Worldwide String Quartet Competitors in London, which is without doubt one of the most prestigious competitions for quartets; in 2022, Lim Yun-chan was the youngest individual to win the Van Cliburn Worldwide Piano Competitors within the US at 18.

“Korean classical music stars are rising. In the event that they resolve to carry a live performance in Seoul, the tickets shall be offered out in minutes. Now they’re seen as some type of Okay-pop idols within the Korean music [scene],” says Sung-Wan Park, the managing director of Hankyung arte Philharmonic, a non-public orchestra arrange in 2015 by The Korea Financial Day by day.

A few of these celebrities embrace Lim, whose January live performance tickets have been offered out inside one minute when the gross sales opened; and his instructor Minsoo Sohn, who’s coming to carry out with Hankyung arte Philharmonic as a part of Hong Kong Arts Competition this month, whose live performance tickets additionally received offered out earlier than the live performance on March 12.

Sohn and the orchestra shall be pairing Chinese language composer Xiaogang Ye’s 2019 piece The Faint Ginkgo with Rachmaninov and Tchaikovsky within the Hong Kong live performance, with an encore of Rachmaninov’s Rhapsody on a Theme Of Paganini, a chunk acquainted to many as a result of it was featured within the 1980 Hollywood film Someplace in Time.

Don’t miss: Performing arts 101: Why does an orchestra want a conductor and what do they do on and off stage?

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